This is an absorbing character study, following Anderson in action and stripping back who she is and her wider concerns, with her career in the balance.ĭredd doesn’t appear in either story, but earns his title credit via participation in the collection’s longest piece. Worley and Davidson are also responsible for the following ‘Judgement Call’, which again can be seen as following the movie version of Anderson’s character or be taken as canon. Artist Paul Davidson’s vision is more connected with the Dredd movie, convincingly portraying a society not too far removed from ours rather than the established comic version of Mega-City One. If her self-realisation is too rapid and convenient, Worley drags the tension out well beforehand. ![]() Anyone familiar with the highlights of Dredd’s world will recognise what he’s getting at, but it’s carried out in a manner that doesn’t impact if you’re unaware. ![]() The Deep End is a piecemeal Judge Dredd collection, promoted on the basis of the two part title story being a sequel to the 2012 Dredd movie, but it could equally be canonical back story featuring a young psychic Cassandra Anderson.Īlec Worley’s script focuses on the insecurities and self-doubts she has, now on her second case, involving drug-dealing gang members and a seeming demonic possession, that a matter Worley toys with.
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